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AN INTERROGATION OF THE "REAL" IN ALL ITS GUISES



Hamm: What's happening?
Clov: Something is taking its course.
Beckett




Saturday, 26 June 2010

"Anarchy"



The actions of the so-called "Anarchists" in Toronto today are condemned. I hesitate here to use the term "Anarchists". Those whom I refer to are hoodlums and cowards. Can one imagine Emma Goldman, for example, hiding her face beneath a handkerchief while throwing a brick through a Starbucks window? She had too much dignity to do either. These are the actions of the childish, the urban frustrated, the impotent. What righteousness, what fidelity to the cause it must have taken to hide behind rags and break windows! Are these actions anything but a violent
passage à l'act, reflecting in their perpetrators the very ends they wish to accomplish: the eradication of the degenerate dirt of city life? They, for a moment, become the degenerate dirt themselves, an ironical -becoming- of the urban symptomatic whose source they wish to destroy. Are their actions not a symptom of the urban pathology itself? It is no wonder one can find "Anarchist" journals containing cartoons advocating the destruction of the urban environment and a reversion to our primitive rural origins. Step 1: Tear up bricks and sidewalks to destroy and drive away capitalists and police. Step 2: Shut down the city through whatever means possible. Step 3: Allow nature to overtake the city. Step 4: Throw away all our clothing and live a vegan lifestyle. Here Žižek's prescription for the Left is as pertinent as ever: "Marx has said: 'The philosophers have only interpreted the world, in various ways; the point is to change it..' But is it not now more important than ever to re-examine this? Rather than try to change the world (unthinkingly), is it not time for philosophers to interpret it so that proper action may be taken?" This is finally how one should read the contemporary urban Anarchist movement: as symptomatic of an urban pathology, complete with Utopian ecological vision and rites of passage.

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